The Porte Saint-Martin is a Parisian monument located at the site of one of the gates of the now-destroyed fortifications of Paris. It is located at the crossing of Rue Saint-Martin, Rue du Faubourg Saint-Martin and the grands boulevards Boulevard Saint-Martin and Boulevard Saint-Denis.

The Gates of Paris
Two triumphal arches, at the Porte Saint-Martin and Porte Saint-Denis, were commissioned by Louis XIV to commemorate his military victories. Ever since 1670, reinforcement of France’s northeastern borders had allowed the removal of fortifications surrounding Paris, and this circumference was transformed into verdant promenades. During the centuries that followed, they were to become the “grand boulevards” of Paris.

Symbolically marking the entrances into 17th-century Paris at the sites of the old toll-gates, these two triumphal arches served only an ornamental function. Their sculptures and bas-reliefs celebrated the King as a head of war.
History of the Porte Saint-Martin

Porte-Saint-Martin, Théâtre de la, Paris, celebrated playhouse, built in 1782 to replace the Opéra, which had been burnt down. The opera company remained there until 1794, and the building was apparently not used as a theatre again until 1810, when one of the first plays to be presented was a melodrama by Pixérécourt. In 1822 an English company appeared unsuccessfully in Othello and in 1827 Frédérick played for the first time with Mme Dorval, whose career was to be linked spectacularly with the Porte-Saint-Martin. The great days of the theatre were in the 1830s, when it saw the first night of the elder Dumas’s Antony and Le Tour de Nesle and Hugo’s Marion Delorme and Lucrèce Borgia; but with the decline of Romantic drama the fortunes of the theatre also declined and in 1840 it closed after the banning of Balzac’s Vautrin. When it reopened it had no settled policy, but continued to present revivals and commonplace and lachrymose melodramas such as Dennery’s Marie-Jeanne; ou, La Femme du peuple (1846), in which Mme Dorval made her last appearance. It was burnt down in the rioting of 1870 and rebuilt on the original plans, but somewhat smaller. It had a further moment of glory in the 1880s when it was acquired by Sarah Bernhardt, who had appeared there 18 years earlier in the fairy-tale play La Biche au bois and now returned in a revival of Meilhac and Halévy’s Frou-Frou. In 1898 the record run of Rostand’s Cyrano de Bergerac again made the theatre one of the most popular in Paris. Because of its great size it was later unable to compete with the cinema, and from 1936 to 1978 it was devoted almost entirely to musical comedy. Marcel Marceau then took it over as a base for his École de mimodrame. It housed the Comédie-Française when the latter was strike-ridden, and in 1989 staged an adaptation of Camus’s novel La Peste.
Construction of the Porte Saint-Martin immediately followed that of the Porte Saint-Denis in 1674, and it was likewise paid for by the city of Paris. A Latin inscription at the summit of the south façade proclaims, “To Louis the Great, for having vanquished the German, Spanish, and Dutch armies: the Dean of the Guild and the Aldermen of Paris.”

The two bas-reliefs on the south façade represent the taking of Besançon (see Province of Franche-Comté) and Louis XIV in the act of crushing the Triple Alliance. The north façade depicts the taking of Limbourg and the defeat of the Germans.

Although Louis XIV favored living at Versailles, he championed the urban development of Paris, instituting a Department of Roads to ensure that city streets were cleaner and well-lit.

Historical factoid: Saint-Martin once had its own métro stop, situated between Strasbourg-Saint-Denis and République. It was closed at the beginning of World War II (September 2, 1939) and reopened upon the Liberation of Paris (August 25, 1944). However, it was soon shut down again — this time permanently, judged to be too close to its neighboring stations. Saint-Martin is the largest of all closed métro stations in Paris, and still features the old porcelain tiled advertisements on its walls. In recent years, it has been put to use to house some homeless souls during the coldest winter months.